Tuesday, April 20, 2004

I was listening to the White Album for a while yesterday, and was moved to observe two moments which get me going every time, out of several:

The long, held-out french horn (or trombone, maybe, I'm not sure) note, then the five short-note run, then the three longer ascending notes that accompany the second refrain of "hold your head up, you silly girl" in Paulie's "Martha My Dear"; and the back-and-forth, mostly two-note guitar solo in "Yer Blues".

Just wanted to share.

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